Family – might be the death of you…
The Glass family business is crime, and they’re good at what they do. Vengeance took Luke Glass behind bars – but now he’s free and he’s never going back. Luke wants out of the gangster life – all he has to do is convince his family to let him go.
His brother holds the reins of the South London underworld in his brutal hands – nobody tells Danny Glass no and expects to live – not even DCI Oliver Stanford, bent copper and one of the Met’s rising stars. The way Danny sees it, his younger brother and sister Nina owe him everything. The price he demands is loyalty, and a war with their arch enemy gives him the leverage he needs to tie Luke to the family once more.
Luke can’t see a way out, until Danny commits a crime so terrible it can’t be forgiven. Love turns to hate when secrets are unearthed which pit brother against brother. Left with no choice but to choose a side, Nina holds the fate of the family in her hands.
In the Glass family, Owen Mullen has created a crime dynasty to rival the Richardsons and the Krays. Heart-pounding, jaw-dropping with non-stop action, Family is perfect for fans of Martina Cole, Kimberley Chambers and Mandasue Heller.
“Family” is my first exposure to the work of Owen Mullen and, on this evidence, it won’t be my last trip to the world of the Glass family.
I’ve written elsewhere (and here) of how impressed I am by the work Boldwood Books are producing in the crime genre and Mullen is a very worthy addition to their stable of writers.
Here we have the crime family dynamic coming under strain as newly released Luke strains against the ties of his increasingly psychotic brother Danny while his Machiavellian sister Nina cooks up her own schemes.
So far, so ‘Lock Stock’. But what elevates this above the routine is the quality of the turns. It was Raymond Chandler who advised writers, “When in doubt, have a man with a gun come through the door (‘Trouble is My Business’) Mullen certainly likes to take advantage of this handy aphorism and there are geezers puffing into pubs with gats clapping like no ones business.
The real strength, however, lies in Mullen’s careful doling out of excitement. His protagonist, Luke, is an intelligent observer. His first person narration contrasts with the third person accounts throughout the rest of the tale. So we hear Luke’s thoughts, we hear his doubts, his fears, his rationalisations.
When the action explodes, it is over in seconds and gives a wide berth to the sort of sadistic, voyeurism of violence we experience in lesser writers.
Mullen is also no stranger to the odd Chandlerism. “I’d met him for less than thirty seconds and already would’ve liked to put his face up against a brick and throw a wall at it,” is Luke’s verdict on one shady character and this is worth the price of the novel alone.
We all know you can pick your friends, but not your family: however, I’d advise getting to know the Glass family very well and let Mullen propel you with his propulsive prose through the south London underworld.
Purchase Link – https://buff.ly/37rHomR
Author Bio –
When he was ten years old, Owen Mullen won a primary schools short story competition and didn’t write another word for four decades. One morning he announced he was going to write a book. He did. Since then he has written seven. Owen was born in Coatbridge, a few miles from Glasgow, where the Charlie Cameron stories take place, and where he ran a successful design and marketing business.
A late developer, he has a Masters degree from Strathclyde University which he got in his forties. In his earlier life he lived in London and worked as a musician and session singer. People tell him he enjoyed himself and he has no reason to doubt them.
The journey from rocker to writer has been a fascinating experience and the similarities between the music and book industries, never cease to amaze him. His passions are travel, food and Arsenal Football Club.
A gregarious recluse, he now splits his time between Scotland and the island of Crete, along with his wife, Christine.
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